Music Coordinator: Julia Bianco (Soundelux BMG)Īdditional Music By: Graeme Cornies, Brian Pickett, James Chapple and David Kelly Music Composed by: Jamie Christopherson (Soundelux DMG) The Hot Wind Blowing featuring Ferry Corsten (Platinum Mix - Instrumental) It Has To Be This Way (Platinum Mix - Instrumental) Red Sun (Maniac Agenda Mix - Instrumental)Ī Soul Can't Be Cut (Platinum Mix - Instrumental)Ĭollective Consciousness (Maniac Agenda Mix - Instrumental) The Stains of Time (Maniac Agenda Mix - Instrumental) Return to Ashes (Platinum Mix - Instrumental) I'm My Own Master Now (Platinum Mix - Instrumental)Ī Stranger I Remain (Maniac Agenda Mix - Instrumental) The Only Thing I Know For Real (Maniac Agenda Mix - Instrumental) Rules of Nature (Platinum Mix - Instrumental) Return to Ashes (Platinum Mix - Low Key Version)Ī Soul Can't Be Cut (Platinum Mix - Low Key Version) The Hot Wind Blowing featuring Ferry Corsten (Platinum Mix)Ī Soul Can't Be Cut (Platinum Mix - DLC Version)ĭark Skies (Platinum Mix - Low Key Version) The Only Thing I Know For Real (Maniac Agenda Mix)Ĭollective Consciousness (Maniac Agenda Mix) Logan Mader, Pete Crossman, Voodoo Highway Music & Post, Inc., Soundelux Design Music Group, Sonic Fuel Studios, Chris Lennertz, Tim Wynn, Jeff MacDonald, Kevin Riepl, Ludvig Forssell, Joeri Lodders (Dance Therapy/Flashover Recordings), Lia Coleyco (Dance Therapy/Flashover Recordings), Rob Van Dongen (Dance Therapy/Flashover Recordings), Martin Corsten (Dance Therapy/Flashover Recordings), Brian Dessaur (Dance Therapy/Flashover Recordings), Dimitri De Wit (Dance Therapy/Flashover Recordings), Paula van der Waerden (Dance Therapy/Flashover Recordings) Sonic Fuel Studios, Darth Mader Music, Voodoo Highway Surround Sound Mixing / Surround Sound Mixing Tatsunari Asakura (Sony Music Distribution(Japan)Inc.)Īntonio "S.A.T." Gonzalez (Maniac Agenda), Dennis "Ramen" Gonzalez (Maniac Agenda), Ferry Corsten (Dance Therapy Productions) Jiro Oishi, Tomomi Yamamiya, Yoshihiko Maekawa / 前川嘉彦, Atsuko Suzuki / 鈴木敦子 Hiroshi Banno / 伴野宏, Yoshikazu Yamanaka / 山中芳一 (Sony Music Communications) Kenji Saito / 斉藤健二 (PlatinumGames Inc.), Junichi Kamei / 亀井順一Īrtwork Coordination / Artwork Coordination Julia Bianco (Soundelux BMG), Jean Pierre Kellams (PlatinumGames Inc.) Graeme Cornies, Brian Pickett, James Chapple, David Kelly, Damien Rainaud, Robben FendersonĪdditional Synth Programming / Additional Synth ProgrammingĪkira Takizawa / 滝沢章 (PlatinumGames Inc.), Maniac Agenda, Pete Crossman Graeme Cornies, Jamie Christopherson, Logan Mader, Pete Crossman, James Chapple, David KellyĪdditional Programming / Additional Programming Ralph Alexander, Ralph Mader, Damien Rainaud
#Metal gear rising revengeance collective consciousness free#
Jason Miller, Tyson Yen, Graeme Cornies, Free Dominguez, John Bush, Kit Walters, Jimmy GneccoĪaron Kaplan, Graeme Cornies, Bill Hudson, Johnny Death, Logan Mader, Andrew Synowiec, Nita Strauss, Jamie Christopherson Jamie Christopherson, Graeme Cornies, Logan Mader Logan Mader, Jamie Christopherson, Pete Crossman, James Chapple, David Kelly, Graeme Cornies When Sam fights Armstrong he learns very fast his goal will not be easy, and following the fight, submits to Armstrong because he knows he can't win, displays obedience, let's his "company" (Desperado/World Marshall) control his will and actions, continues to work for him in ignorance not caring about the cost, killing freely, the truth of his goals, lost.Graeme Cornies, Brian Pickett, James Chapple, David Kelly Armstrongīoth have different ideas of "right" and "wrong"īut when the guard is down, when Raiden has him by the heart, they both know that violence breeds violence, only difference is for Armstrong, that's the goal, for Raiden it's not entirely. Perfect example is "It has to be this way", the lyrics for it perfectly match the idea of Raiden vs. Armstrong honestly, reusing a song is meh at first glance, but like all OST in that they all have a deeper meaning and fit the fight, and are used for a reason. I don't think a more fitting song could be used for Sam vs. We know Sam inevitably ends up blindly following Armstrong moving toward this new goal. When it comes on in the base game its about that new society, when it plays for Sam its about being APART of that society. When Sam fights Armstrong it has a different meaning though.
When it plays during the MG (but not really an MG) Excelsus fight, after Armstrong's speech about the new society he's about to craft. In the two instances this song is used, it is used fittingly and perfectly.
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